In 2017, ATD Fourth World invited people around the world to document real-life “Stories of Change”. These stories are about situations of injustice and exclusion caused by extreme poverty. Written by activists, community leaders, and others, they show that when people work together, real change can happen.
Learn more about “Stories of Change”.
This is the story of a sculpture made of small stones collected from children around the world who are part of Tapori, the ATD Fourth World children’s network.
A Shiny Sculpture
By Noldi Christen (Switzerland)
In the main entrance hall of the United Nation’s Human Rights Building in Geneva, is a marvellous shiny sculpture.
It looks like an antique vessel. Children from all over the world sent stones that fill it. On top, there is a mobile. Sails? Twigs? This vessel cum tree filled with a treasure: stones collected by children either where they live or where they work. There are 5,000 stones from mines, quarries, fields, a cemetery – but also toys, lucky charms, and holiday souvenirs. Each and every stone tells a story of its own.*
The sculpture comes from the ATD Fourth World children’s branch, Tapori. It was a gift in 1999 from children who came to Geneva in worldwide delegations to send a message for the 10th anniversary of the Convention on the Rights of the Child.
The children wanted to create a sculpture that would touch everybody’s heart and encourage more peace and respect in the life of every child on earth.
Message About Their Dreams
The children sent a message about their dreams to the adults at the UN in Geneva: “A huge sculpture has to be made for peace! […] Do not feel guilty when you look at this sculpture, but find strength in it and recognize that children help adults.” The adults wondered if they could ever match the dreams of those children.
Then Philippe appeared on the scene, an artist from the former mines in northern France. Much later it became clear that he was the one who created this unique work of art. He was after all once a child, locked up, humiliated and negated. As a child he struggled on a daily basis to experience moments of peace and acknowledgement. He came up with a masterpiece welcomed by the UN High Commissioner for Human Rights with a great deal of emotion.
I still see Philippe with pliers in his hand, cutting the silver wires to gently wrap each little stone so he could fix it in the mobile, in the tree of the dancing earth vessel, now surrounded by many adults and children.
I can also see Philippe in my mind’s eye, a 7-year old boy, running away in the dark. Already in those days holding pliers in his hands, cutting the grid in front of the cubby where he was locked in, to escape and watch the stars on top of the hill and find peace.
Dancing Very Slowly
Today, the UN magic tree in Geneva seems to be dancing very slowly. People stop and look at it. For example school children with their teachers, groups of visitors, an employee holding her baby in her arm, looking very happy and trying to touch the mobile to trigger the bell.
By constantly finding its equilibrium, this magic tree is an attempt to balance our chaotic world again, with the help and contribution of all those who come to look at it every day.